"POWDER PINK",2009 mixed media on canvas
Wednesday, September 29, 2010
Tuesday, September 28, 2010
behind the scene
Monday, September 27, 2010
polaroid-quotes
what is the best moment of the day?
working under lights at night.
certainly you notice how women are dressing,
do you have any preferences?
it depends - my tastes change with the times.
every decade women’s bodies seem to be different.
I like haute couture,
today everybody looks the same around the world
... in sneakers and jeans.
what kind of clothes do you avoid wearing?
stilettos (laughs).
when you were a child, did you want to become
a photographer?
in 1936 I arranged to have myself thrown out of school
as a hopeless pupil.
I wanted to be a paparazzo.
do you prefer shooting indoors or outdoors?
everywhere, but not in a studio.
describe your style, like a good friend of yours would
describe it.
if I have really nothing to do,
I start spinning a tale for myself, which is one of
the most pleasant ways of spending time.
my pictures are like a story that has no beginning,
no middle, and no end.
do you prefer black and white photography?
I shoot both color and black-and-white film.
you never know.
can you describe an evolution in your work from your
first projects to the present day?
to have taboos, then to get around them - that's interesting.
looking back at my old fashion photographs I wonder :
how the hell did I have the courage to go through all these
complications ?
over the course of your artistic career,
you've been called a lot of things: sexist, visionary...
did you ever worked for a porno magazine?
I was a contributor for playboy for about twenty years.
my work was even too risky for playboy.
they asked me - please do something for us
… but nothing as kinky as what you do for french vogue'.
any advice for the young?
there are two dirty words in photography; one is 'art',
and the other is 'good taste'.
beauty is intellect.
and glamour has nothing to do with money.
working under lights at night.
certainly you notice how women are dressing,
do you have any preferences?
it depends - my tastes change with the times.
every decade women’s bodies seem to be different.
I like haute couture,
today everybody looks the same around the world
... in sneakers and jeans.
what kind of clothes do you avoid wearing?
stilettos (laughs).
when you were a child, did you want to become
a photographer?
in 1936 I arranged to have myself thrown out of school
as a hopeless pupil.
I wanted to be a paparazzo.
do you prefer shooting indoors or outdoors?
everywhere, but not in a studio.
describe your style, like a good friend of yours would
describe it.
if I have really nothing to do,
I start spinning a tale for myself, which is one of
the most pleasant ways of spending time.
my pictures are like a story that has no beginning,
no middle, and no end.
do you prefer black and white photography?
I shoot both color and black-and-white film.
you never know.
can you describe an evolution in your work from your
first projects to the present day?
to have taboos, then to get around them - that's interesting.
looking back at my old fashion photographs I wonder :
how the hell did I have the courage to go through all these
complications ?
over the course of your artistic career,
you've been called a lot of things: sexist, visionary...
did you ever worked for a porno magazine?
I was a contributor for playboy for about twenty years.
my work was even too risky for playboy.
they asked me - please do something for us
… but nothing as kinky as what you do for french vogue'.
any advice for the young?
there are two dirty words in photography; one is 'art',
and the other is 'good taste'.
beauty is intellect.
and glamour has nothing to do with money.
(from:www.designboom.com)
One of my favorite photographers, and if someone asked me who I would like to meet, who i admire -my answer always will be the same-Newton.Someone can say-evident,I can tell maybe- but i grew up on his photography and he taught me how to look at a woman that SHE has been always sexy .Unfortunately he passed away January 23, 2004
Remembering Helmut Newton
Sunday, September 26, 2010
my people
R.
Sunday lazy summer day .Budapest 2010
La Rambla 2010
I sat on a bench in the center of Barcelona,there I met this little boy
La Rambla
Myrta
Homeless.La Rambla 2010
Headless
Together or separately?
Invisible to the eye
Little girl.Budapest
Little girl.Rome
Homeless.Campo di Fiori
On the beach.Mykonos
R.
Dancer.Greece
Some English tourist /Mykonos
Little girl
R.
Cook
Ewa Maisner- one of the favorite models ysl
Actress
Theatre actress
Ewa Maisner with her son
little girl/Rome
Son of Ewa
Teresa
Couple at-pool /Milan
Rome in some cafe Campo di Fiori
little girl in Łazienki park/Warsaw
Jumping children/Budapest
Teresa/Warsaw Poland
Afterparty girl/Greece
Backstage
Girls at the hotel.Between shoots
Aneta
When I say I want to photograph someone, what it really means is that I'd like to know them. Anyone I know I photograph.
Broken angel
Mariusz Treliński
Pola
Daga
Kamila
Arletta
Girl
Train people
Kamome/Geneva
Mariusz Treliński during interrogation at the National Theatre
After long day in Rome
Chris.Hairdresser
Iza Janachowska .Dancer.During our shoots summer 2009
Ewa with her son
Blue elephant
street musicians
Alex
On the street.London
baby girl Amsterdam
m
Zuza /My early childhood equipped me really well for my portrait work: The quick encounter, where you are not going to know the subject for very long. These days I am much more comfortable with the fifteen minute relationship, than I am with a life long relationship
Teresa during the shoots for malemen magazine
Couple Milan
Mary and Joanna my friends and twin sisters
A thing that you see in my pictures is that I was not afraid to fall in love with these people.
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