what is the best moment of the day?
working under lights at night.
certainly you notice how women are dressing,
do you have any preferences?
it depends - my tastes change with the times.
every decade women’s bodies seem to be different.
I like haute couture,
today everybody looks the same around the world
... in sneakers and jeans.
what kind of clothes do you avoid wearing?
stilettos (laughs).
when you were a child, did you want to become
a photographer?
in 1936 I arranged to have myself thrown out of school
as a hopeless pupil.
I wanted to be a paparazzo.
do you prefer shooting indoors or outdoors?
everywhere, but not in a studio.
describe your style, like a good friend of yours would
describe it.
if I have really nothing to do,
I start spinning a tale for myself, which is one of
the most pleasant ways of spending time.
my pictures are like a story that has no beginning,
no middle, and no end.
do you prefer black and white photography?
I shoot both color and black-and-white film.
you never know.
can you describe an evolution in your work from your
first projects to the present day?
to have taboos, then to get around them - that's interesting.
looking back at my old fashion photographs I wonder :
how the hell did I have the courage to go through all these
complications ?
over the course of your artistic career,
you've been called a lot of things: sexist, visionary...
did you ever worked for a porno magazine?
I was a contributor for playboy for about twenty years.
my work was even too risky for playboy.
they asked me - please do something for us
… but nothing as kinky as what you do for french vogue'.
any advice for the young?
there are two dirty words in photography; one is 'art',
and the other is 'good taste'.
beauty is intellect.
and glamour has nothing to do with money.
![](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_uuxZUyGX8Kpyq5lc6QiVj43VMQxAMVDv1JcJetT0OSINMiwz7OwUsABpjLeewwu8KgQJM8_OcUUot2-Y_ZguKK4kaJ3_C6b3j0rF1befIP2m13dmFRaA=s0-d)
working under lights at night.
certainly you notice how women are dressing,
do you have any preferences?
it depends - my tastes change with the times.
every decade women’s bodies seem to be different.
I like haute couture,
today everybody looks the same around the world
... in sneakers and jeans.
what kind of clothes do you avoid wearing?
stilettos (laughs).
when you were a child, did you want to become
a photographer?
in 1936 I arranged to have myself thrown out of school
as a hopeless pupil.
I wanted to be a paparazzo.
do you prefer shooting indoors or outdoors?
everywhere, but not in a studio.
describe your style, like a good friend of yours would
describe it.
if I have really nothing to do,
I start spinning a tale for myself, which is one of
the most pleasant ways of spending time.
my pictures are like a story that has no beginning,
no middle, and no end.
do you prefer black and white photography?
I shoot both color and black-and-white film.
you never know.
can you describe an evolution in your work from your
first projects to the present day?
to have taboos, then to get around them - that's interesting.
looking back at my old fashion photographs I wonder :
how the hell did I have the courage to go through all these
complications ?
over the course of your artistic career,
you've been called a lot of things: sexist, visionary...
did you ever worked for a porno magazine?
I was a contributor for playboy for about twenty years.
my work was even too risky for playboy.
they asked me - please do something for us
… but nothing as kinky as what you do for french vogue'.
any advice for the young?
there are two dirty words in photography; one is 'art',
and the other is 'good taste'.
beauty is intellect.
and glamour has nothing to do with money.
(from:www.designboom.com)
One of my favorite photographers, and if someone asked me who I would like to meet, who i admire -my answer always will be the same-Newton.Someone can say-evident,I can tell maybe- but i grew up on his photography and he taught me how to look at a woman that SHE has been always sexy .Unfortunately he passed away January 23, 2004
Remembering Helmut Newton
No comments:
Post a Comment